|
Nr |
Artist |
Work |
Technique |
Size cm. |
Year |
Owner |
|
1. |
Alechinsky, Pierre |
Contre Vent |
Ink and varnish |
153x199 |
1964 |
Ars Nova, Turku |
|
2. |
Alechinsky, Pierre |
Plate |
Ceramic |
30 |
1988 |
Ars Nova, Turku |
|
3. |
Alechinsky, Pierre |
Plate |
Ceramic |
30 |
1988 |
Ars Nova, Turku |
|
4. |
Alechinsky, Pierre |
Lithograph |
72x52 |
1987 |
Pirkanpohja Foundation |
|
|
5. |
Appel, Karel |
Oil on canvas |
99x81 |
1964 |
Didrichsen |
|
|
6. |
Appel, Karel |
Lithograph |
50x51 |
1961 |
Didrichsen |
|
|
7. |
Appel, Karel |
Tête perdue dans un paysage |
Oil on canva |
130x162 |
1959 |
Ars Nova, Turku |
|
8. |
Appel, Karel |
Visage paysage III |
Oil on canvas |
200x200 |
1976 |
Ars Nova, Turku |
|
9. |
Appel, Karel |
Two Birds |
Oil on canvas |
96x130 |
1955 |
Private collection |
|
10. |
Appel, Karel |
Paysage Humain |
Oil on canvas |
150x150 |
1974 |
Private collection |
|
11. |
Appel, Karel |
Dancing Girl |
Lithograph |
72 x 52 |
1972 |
Private collection |
|
12. |
Appel, Karel |
Bird |
Ceramic |
55x70x30 |
1974 |
Private collection |
|
13. |
Atlan, Jean Michel |
Lithograph 94/150 |
25x25 |
Private collection |
||
|
14. |
Atlan, Jean Michel |
Composition II |
Lithograph 94/150 |
25x25 |
Private collection |
|
|
15. |
Atlan, Jean Michel |
Composition III |
Lithograph 94/150 |
25x25 |
Private collection |
|
|
16. |
Atlan, Jean Michel |
Composition IV |
Lithograph 94/150 |
25x25 |
Private collection |
|
|
17. |
Corneille |
Apple and Monkey |
Serigraphy |
36x32 |
1986 |
Museum of Modern Art, Tampere |
|
18. |
Corneille |
Red Rooster |
Serigraphy |
36x32 |
1986 |
Museum of Modern Art, Tampere |
|
19. |
Corneille |
Blue Horse |
Serigraphy |
33x30 |
1986 |
Museum of Modern Art, Tampere |
|
20. |
Corneille |
Fishgirl |
Serigraphy |
33x30 |
1986 |
Museum of Modern Art, Tampere |
|
21. |
Corneille |
Lithograph 19/150 |
112x67 |
1985 |
Private collection |
|
|
22. |
Corneille |
Woman with Bird II |
Lithograph |
73x150 |
1986 |
Private collection |
|
23. |
Corneille |
Woman with Bird III |
Lithograph 26/150 |
96x76 |
1987 |
Private collection |
|
24. |
Corneille |
La fenêtre ouverte |
Oil on canvas |
66x98 |
1985 |
Private collection |
|
25. |
Corneille |
Du pays des palmiers |
Gouache |
40x55 |
1987 |
Private collection |
|
26. |
Corneille |
Hymne a LŽeté |
Serigraphy 51/200 |
24x30 |
1987 |
Pirkanpohja Foundation |
|
27. |
Corneille |
Hymne a LŽeté |
Serigraphy 51/200 |
24x30 |
1987 |
Pirkanpohja Foundation |
|
28. |
Corneille |
Conspiration joyeuse des oiseaux dans lŽarbre |
Lithograph 59/60 |
49x65 |
1962 |
Pirkanpohja Foundation |
|
29. |
Corneille |
Hymne a LŽeté |
Serigraphy 51/200 |
24x30 |
1987 |
Pirkanpohja Foundation |
|
30. |
Corneille |
Lithograph 59/60 |
49x65 |
1962 |
Pirkanpohja Foundation |
|
|
31. |
Gilbert, Stephen |
Gouache |
14x41 |
1951 |
Didrichsen |
|
|
32. |
Heerup, Henry |
Lithograph |
41x53 |
Didrichsen |
||
|
33. |
Jorn, Asger |
Oil on canvas |
24x33 |
1968 |
Didrichsen |
|
|
34. |
Jorn, Asger |
LŽanimal |
Ink on paper |
49x39 |
1951 |
Ars Nova, Turku |
|
35. |
Lucebert |
Oil on canvas |
100x150 |
1961 |
Didrichsen |
|
|
36. |
Lucebert |
Oil on canvas |
69x99 |
1973 |
Didrichsen |
|
|
37. |
Lucebert |
Oil on canvas |
30x40 |
1969 |
Private collection |
|
|
38. |
Lucebert |
Aquarelle |
25x35 |
1971 |
Private collection |
|
|
39. |
Lucebert |
Javéa |
Mixed media |
38x51 |
1971 |
Private collection |
|
40. |
Lucebert |
Mixed media |
30x42 |
1988 |
Pirkanpohja Foundation |
|
|
41. |
Lucebert |
Mixed media |
30x42 |
1988 |
Pirkanpohja Foundation |
|
|
42. |
Pedersen, Carl-H. |
Oil on canvas |
102x121 |
1952 |
Didrichsen |
|
|
43. |
Pedersen, Carl-H. |
Oil on canvas |
65x50 |
1945 |
Didrichsen |
|
|
44. |
Pedersen, Carl-H. |
Oil on canvas |
140x205 |
1950 |
Didrichsen |
|
|
45. |
Rooskens, Anton |
Unnamed |
Gouache |
37x50 |
1970 |
Didrichsen |
|
46. |
Rooskens, Anton |
Gouache |
50x60 |
1969 |
Didrichsen |
|
|
*47. |
Jacobsen, Robert |
Iron sculpture |
73x70 |
Didrichsen |
||
|
*48. |
Jacobsen, Robert |
Iron sculpture |
64x30 |
1959 |
Didrichsen |
* Jacobsen was never a member of the Cobra-group but he was greatly influenced by it.